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Furthermore, you represent and warrant that you will not allow any minor access to this site or services. This website should only be accessed if you are at least 18 years old or of legal age to view such material in your local jurisdiction, whichever is greater. The song is Simon Smith and the Amazing Dancing Bear by Randy Newman, and it’s Jon’s fifth choice for the island.You are about to enter website that contains content of an adult nature. But actually they're laughing at him, and so the last line of the song is very plaintive, and bittersweet.” I think it's a song about a loveably deluded guy who thinks that if he goes to a restaurant, all the rich people were applaud him, but in fact, they're just exploiting him, and laughing at him and he thinks everybody loves him. “It's a song that isn't really about what you think it's going to be about. And the first time he did that, he told me, when I interviewed him, was with this song.” He’s the first singer who I knew who really taught me about nuance, unreliable narrators, ambiguity, maybe what you're hearing isn't what you're actually hearing. “I started listening to him,” says Jon of his hero, “when I was 18 and when I first moved to London. One songwriter has strongly influenced Jon’s approach to writing and interviewing He was a cult figure who performed on the comedy circuit and had his own television show, Frank Sidebottom’s Fantastic Shed Show. Created by Chris in 1984, Frank was a cartoonish character from the village of Timperley near Manchester who wore a sharp suit and sported a large papier- mâché head. “I said ‘Yeah’, and he said, ‘Well, you're in!’ So that's how I ended up quitting college and moving to Manchester and being in Frank Sidebottom’s band.”įrank Sidebottom was the alter ego of musician and comedian Chris Sievey. “And I said, ‘I play keyboards’, and he said, ‘Can you play C, F and G?’ He's got medical issues, and so we're going to have to cancel unless you know a keyboard player?’” I was in the office one day and the phone rang - I was shadowing my predecessor - and this voice said, ‘Frank’s playing at your bar tonight but our keyboard player can't make it. “I became the social secretary of my college. He joined Frank Sidebottom’s band on the strength of a single phone call “In a click of the fingers, my life just totally changed. "The minute my mother dropped me off at the halls of residence,” says Jon remembering arriving at the Polytechnic of Central London, “the guy in the next room, Dipan Joshi said, ‘Ah, come out with us’, and that was it.” The next stage of his education changed his life – almost instantly If I just knew it, I wouldn't have to work so hard to try and figure it out, so I really, really think about these things.” 5. I think I'm better at trying to figure out why people behave the way that they do. I don't walk into a room and know exactly what to do. I remember thinking OK, I'll put on an imaginary suit of armour and that'll protect me.” “I've always been awkward socially and I think that was clearly something that smelt at the time.” I remember thinking OK, I'll put on an imaginary suit of armour and that'll protect me
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“In the original Sam Mendes production, Jane Horrocks plays Sally Bowles and the way she sings Cabaret, particularly the last verse - when you think about it, everybody thinks of Liza Minelli's version of Cabaret - but when you think about it, she's just had an abortion, the Nazis are taking over Germany and the way just shrieks out Cabaret is like a primal scream from her soul.
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The powers, the authoritarian powers encroaching on people who just want to live free is very, very moving to me."Īnd he’s chosen a very specific recording of the show’s title song for his desert island: I guess being Jewish has got something to do with it. I saw the most recent production in New York five times.
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He loves one stage musical above all others And then if you listen you become a twig in the stream of the conversation and then you can go to other places.” 3. the net! Because I think if you don't have a list of questions then you really have to listen. “I want to be like a trapeze artist without, the er, the thing, er, the thing that they fall into. “I don't have a list of questions,” Jon explains. He takes a bold approach to interviews – with nothing to fall back on “I went into the BBC and Janet Street Porter was sitting there - the head of youth television at the time - and she went: ‘Yeah, I think it's a fantastic idea,’ and I sat there saying nothing because I actually had no idea what the idea was.” 2.